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"That rush in between when it all comes undone. Knowing its edge like your own pulse and breathing. As I knew them this morning, racing a 10K in late-spring heat, the taste of panic in the last two miles as everything slipped away, losing time and barely finishing. A tingling in my limbs as if I were driving on ice, the road beneath me suddenly gone, the feeling of that in my hands. Deeper than words, being lost for a moment and then being done. Left with a pounding, stiff-legged stagger."
Spiritual improvisations, radiant acts of attention: echoing Thoreau's Walden, the meditations of Guy Davenport, and Kenny Moore's groundbreaking articles for Sports Illustrated, Thomas Gardner strides through inner and outer landscapes. Freed by disciplined effort, the runner's mind here�roams and mourns and remembers.
- Sales Rank: #308637 in Books
- Published on: 2014-11-01
- Released on: 2014-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.50" w x .25" l, .0 pounds
- Binding: Paperback
- 54 pages
Review
"The achievement of 'Poverty Creek Journal' is precisely that it does retrace that kind of wandering--and, in so doing, makes something lovely and meaningful of a difficult year. Gardner does not go in for pat analogies; he does not claim, as Camus once did about soccer, that running taught him everything about death. Nor does he go in for pat consolation. His journal does not so much end as stop, as if he has simply not yet risen for the next morning's run." -- Kathryn Schulz, New Yorker --Review
About the Author
Thomas Gardner was born in Indiana, raised in New Jersey and Western Maryland, and now lives and teaches in Blacksburg, Virginia, on the edge of the Jefferson National Forest. He attended Bucknell University, where he ran cross country and track, then earned graduate degrees from Syracuse and Wisconsin. His most recent books are A Door Ajar: Contemporary Writers and Emily Dickinson (Oxford, 2006) and John in the Company of Poets: The Gospel in Literary Imagination (Baylor, 2011). His play Eurydice was performed at the Edinburgh Fringe Festival in 2006. He has been a professor of English at Virginia Tech since 1982, and he still regularly competes as a runner.
Most helpful customer reviews
7 of 7 people found the following review helpful.
This might be the most beautiful book published in 2014
By Weston Cutter
This might be the most beautiful book published in 2014. And not just beautiful: the thing's so overwhelmingly full of feeling (not *feelings*, though they're there, too—sorrow, frustration, moments of something like transcendence, something eventually like hope)—so pitched, so vivid and rich and direct—that it's hard both a) not to read the thing straight through, right when you get it and b) not re-read it almost immediately upon finishing it. While the book is a very attentive person's distilled journal kept during a year of tumult and the attempts at clarity that follow, it ends up reading—feeling—almost akin to something like instructions, hints of how to live and feel and think more presently, more fully. I can't imagine the person for whom this book doesn't offer something significant and lasting.
2 of 3 people found the following review helpful.
A Running Book That’s Not (just) About Running!
By carolee
(And it's also not out of stock! ORDER it & I bet you'll get it right away! You won't be sorry: It's been getting a ton of great press -- Runners World & the New Yorker, I believe -- and deservedly so!)
If your running journal is like mine – date, duration, pace, elevation courtesy of the watch on my wrist and the app on my phone – I have something that’s going to give you serious running log envy. Or maybe yours is slightly more colorful than mine: Hills suck. Too humid. Fell on ice. You’re still going to have running log envy.
Enter Thomas Gardner’s Poverty Creek Journal, 52 short, lyric paragraphs, each a record of a day’s run:
JULY 4 /This is one of the things I have loved. This small town race, lawn sprinklers out in the road to break the morning heat, the sprawl of bodies at the end of the race, shirts stripped off, sweat pouring, runners still coming in—anonymity of it all, those exhausted, radiant bodies.
SEPTEMBER 21 / At about eight miles, it happened. I could show you the place. My legs started to feel heavy and then, within a few steps, something deeper came alive. How to describe the feeling? It was as if one sort of fiber had been exhausted and another had come awake.
But Poverty Creek Journal is a book about running like Wild is a book about a hike. The entry for February 29 opens, “My brother John died yesterday, of a heart attack in his sleep.” As he preps for a race, Gardner does the very hard work of coping with this brother’s death: “Cold rain this morning, 45 degrees, crying hard by the time I hit the pond… I can feel him pull away now: here, in my body.”
It’s not just grief that all of our GPS devices can’t record, of course. Poverty Creek Journal is also full of light. Gardner’s entries detail the natural world, the physical qualities of the running surface, the joy and strain in our bodies. They cover the literal miles, and in a most unobtrusive way, also the metaphorical distance. Where do we go, really? What’s it like when we return? How’s everything changed?
And how are we changed? Poverty Creek Journal is a gorgeous record of the transformation that happens on the daily run. It occupies a strange and beautiful place between extraordinary and common. We run just as we breathe. In other words, it’s a kind of magic we don’t always think about it, but it’s there. And we sure as hell count on it.
0 of 0 people found the following review helpful.
A weaving together of loss, running and nature.
By David Anthony Sam
In this slim volume of meditations, we listen as Thomas Gardner interweaves his running, nature, and the loss of his brother with reflections on the writings of Emily Dickinson, Walt Whitman. and other poets and philosophers. He speaks simply but profoundly, his images of the natural world he encounters on his runs expressed with quiet poetry:
"Bushes and leaves, heavy with frost, bending down to sip, drawing the light, in secret, to their lips."
His mourning is poignant and not self-pitying:
"Now I'm alone, wordless, with the strangest sens of being set apart to mourn or notice. I'm not sure which. The wind above us, moving across space."
He quotes Simone Weil: "Attention, taken to its highest degree, is the same thing as prayer." Gardner's Poverty Creek Journal shows this to be true on every page.
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